In Marco Rinaldi's paintings, perceptions disclose themselves following unconventional paths, far from rational order, raising from uncommon intuitions, memory matching, emotional accumulation that finally explode into paint-brushing crossing each other on the canvas, in order to create a quick link between inner tension and knowledge. This knowledge goes beyond the limits of non-logics including all the imagination and cognitive difficulties (troubles) of an observer's eyes.

Rinaldi's adventure is full-depth, a one time sort of experience and private, triggered by such a cultural backgound full of colors and sounds - painting can be blended with musical analogies - in order to create "sets" of a special narrative vivacity. I do not see the typical pattern of the Informal Masters instead I catch sight of a passionate tendency to a joyful future life, to an hypothetical rather far happiness, filtered for sure by a silent expectancy, by the youngman' discretion in perceiving the gravity and the surprise of existence.

On Marco's huge canvas, the great adventure of language comes true: lumps of paint entwine with the vertical and horizontal expression of the independent setting ups following mysterious preconceived mental orientations, able to hold the various forces engaged together. At times, being limited by restrictive topics, the artist -as usual and commonly- is oppressed by the content bonds and makes an attempt to overcome it connecting once again the occasional motivation to the deeper meaning of the most valuable artistical expression.

Dino Carlesi